{"id":6180,"date":"2023-07-19T23:11:38","date_gmt":"2023-07-19T21:11:38","guid":{"rendered":"https:\/\/www.michael-behrens.com\/?page_id=6180"},"modified":"2023-07-19T23:12:14","modified_gmt":"2023-07-19T21:12:14","slug":"underwater","status":"publish","type":"page","link":"https:\/\/www.michael-behrens.com\/de\/underwater\/","title":{"rendered":"Underwater"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#ffffff&#8221; width=&#8221;100%&#8221; custom_margin=&#8221;||||false|false&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; custom_padding=&#8221;||||false|false&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221;][et_pb_row _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; custom_padding=&#8221;80px||||false|false&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221;][et_pb_text quote_border_weight=&#8221;2px&#8221; quote_border_color=&#8221;#e02b20&#8243; content_tablet=&#8221;<\/p>\n<blockquote>\n<p>Exhibitions<\/p>\n<\/blockquote>\n<p>&#8221; content_phone=&#8221;<\/p>\n<blockquote>\n<p>Exhibitions<\/p>\n<\/blockquote>\n<p>&#8221; content_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Georgia||||||||&#8221; text_text_color=&#8221;#242424&#8243; text_font_size=&#8221;40px&#8221; text_line_height=&#8221;1.8em&#8221; quote_font=&#8221;Georgia|||||on|||&#8221; quote_text_color=&#8221;#242424&#8243; quote_font_size=&#8221;38px&#8221; header_font=&#8221;Georgia|||||on|||&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;#e02b20&#8243; header_font_size=&#8221;24px&#8221; text_orientation=&#8221;center&#8221; background_layout=&#8221;dark&#8221; width=&#8221;80%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;28px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; width__hover_enabled=&#8221;off|desktop&#8221; content__hover_enabled=&#8221;on|desktop&#8221; text_font_size__hover_enabled=&#8221;on|desktop&#8221;]<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Underwater<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text quote_border_weight=&#8221;2px&#8221; quote_border_color=&#8221;#e02b20&#8243; content_tablet=&#8221;<\/p>\n<p> Behrens&#8217; first series of works is an extraction from sensory impressions and observations %22Underwater%22. Their attraction is embodied in an engaging way, in objects that are sometimes monumental due to their size and thickness. At second glance, a fourth dimension reveals itself to the viewer, giving space to the liveliness in the depth of the works. The transparent surfaces allow light to penetrate from all sides, revealing moving lines, almost rhythmic shades of color, and inner reflections. The material, only recently familiar to Behrens at this point, is explored, and the self-taught ability stands out. Even at this early stage of artistic creation, several works find their way into public collections.<\/p>\n<p>\u00a0<\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p>Behrens&#8217; first series of works is an extraction from sensory impressions and observations %22Underwater%22. Their attraction is embodied in an engaging way, in objects that are sometimes monumental due to their size and thickness. At second glance, a fourth dimension reveals itself to the viewer, giving space to the liveliness in the depth of the works. The transparent surfaces allow light to penetrate from all sides, revealing moving lines, almost rhythmic shades of color, and inner reflections. The material, only recently familiar to Behrens at this point, is explored, and the self-taught ability stands out. Even at this early stage of artistic creation, several works find their way into public collections.<\/p>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Georgia||||||||&#8221; text_text_color=&#8221;#242424&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;1.8em&#8221; quote_font=&#8221;Georgia|||||on|||&#8221; quote_text_color=&#8221;#242424&#8243; background_layout=&#8221;dark&#8221; width=&#8221;80%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|desktop&#8221; module_alignment=&#8221;center&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;16px&#8221; text_font_size_last_edited=&#8221;on|phone&#8221; content__hover_enabled=&#8221;on|desktop&#8221;]<\/p>\n<p>Behrens\u2019 erste Werkreihe ist eine Extraktion aus Sinneseindr\u00fccken und Beobachtungen \u201eUnderwater\u201c. Ihre Anziehungskraft wird auf einnehmende, aber nicht plakative Weise in Objekten teils monumentaler Ausma\u00dfe verk\u00f6rpert. Auf den zweiten Blick offenbart sich dem Betrachter eine vierte Dimension, die der Lebendigkeit in der Tiefe der Werke Raum gibt. Die transparenten Oberfl\u00e4chen lassen Licht von allen Seiten eindringen, so dass sich bewegende Linien, beinahe rhythmische Farbschattierungen und innere Reflexe zum Vorschein kommen. Das f\u00fcr Behrens zu diesem Zeitpunkt erst seit kurzem vertraute Material wird erforscht, die autodidaktische F\u00e4higkeit sticht hervor. Schon zu diesem fr\u00fchen Zeitpunkt des k\u00fcnstlerischen Schaffens finden mehrere Werke ihren Weg in \u00f6ffentliche Sammlungen.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.michael-behrens.com\/inquire-2\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Artwork Inquiries&#8221; button_alignment=&#8221;left&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;12px&#8221; button_text_color=&#8221;#e02b20&#8243; button_bg_color=&#8221;rgba(0,0,0,0)&#8221; button_border_width=&#8221;1px&#8221; button_border_color=&#8221;#e02b20&#8243; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Verdana||||||||&#8221; button_icon=&#8221;%%20%%&#8221; button_icon_color=&#8221;#e02b20&#8243; custom_margin=&#8221;|||128px|false|false&#8221; custom_margin_tablet=&#8221;|||60px|false|false&#8221; custom_margin_phone=&#8221;|||40px|false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221;][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;4.5.3&#8243; 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