{"id":6215,"date":"2023-07-26T17:38:44","date_gmt":"2023-07-26T15:38:44","guid":{"rendered":"https:\/\/www.michael-behrens.com\/?page_id=6215"},"modified":"2023-07-28T12:20:07","modified_gmt":"2023-07-28T10:20:07","slug":"evolution-2","status":"publish","type":"page","link":"https:\/\/www.michael-behrens.com\/en\/evolution-2\/","title":{"rendered":"Evolution"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;#242424&#8243; background_enable_image=&#8221;off&#8221; background_size=&#8221;contain&#8221; background_position=&#8221;center_left&#8221; custom_margin=&#8221;||||false|false&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|phone&#8221;][et_pb_row _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; background_color=&#8221;rgba(0,0,0,0)&#8221; background_enable_image=&#8221;off&#8221; parallax=&#8221;on&#8221; width_tablet=&#8221;60%&#8221; width_phone=&#8221;80%&#8221; width_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;80px||||false|false&#8221; width__hover_enabled=&#8221;on|desktop&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221;][et_pb_text quote_border_weight=&#8221;2px&#8221; quote_border_color=&#8221;#e02b20&#8243; content_tablet=&#8221;<\/p>\n<blockquote>\n<p>Evolution<\/p>\n<\/blockquote>\n<p>&#8221; content_phone=&#8221;<\/p>\n<blockquote>\n<p>Evolution<\/p>\n<\/blockquote>\n<p>&#8221; content_last_edited=&#8221;on|phone&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Georgia||||||||&#8221; text_text_color=&#8221;#242424&#8243; text_font_size=&#8221;40px&#8221; text_line_height=&#8221;1.8em&#8221; quote_font=&#8221;Georgia|||||on|||&#8221; quote_text_color=&#8221;#d6d6d6&#8243; quote_font_size=&#8221;38px&#8221; header_font=&#8221;Georgia|||||on|||&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;#e02b20&#8243; header_font_size=&#8221;24px&#8221; background_layout=&#8221;dark&#8221; width=&#8221;80%&#8221; width_tablet=&#8221;80%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|phone&#8221; max_width=&#8221;100%&#8221; module_alignment=&#8221;center&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; custom_padding_tablet=&#8221;&#8221; custom_padding_phone=&#8221;&#8221; custom_padding_last_edited=&#8221;on|phone&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;28px&#8221; text_font_size_last_edited=&#8221;on|desktop&#8221; content__hover_enabled=&#8221;on|desktop&#8221; text_font_size__hover_enabled=&#8221;on|desktop&#8221;]<\/p>\n<blockquote>\n<p style=\"text-align: left;\">Evolution<\/p>\n<\/blockquote>\n<p>[\/et_pb_text][et_pb_text quote_border_weight=&#8221;2px&#8221; quote_border_color=&#8221;#e02b20&#8243; content_tablet=&#8221;<\/p>\n<p>With the<i> Evolution <\/i>series, Behrens conceptually and sculpturally deals with the creative power of nature, formulating questions about its limitations and finitude. %22We emerge from nature and we end up in it. I make myself aware of this cycle,%22 Behrens says. He seems to be taking his previous formal language down a new path, a consequence of years of sculptural activity. The outer forms are based on stylized rings whose cross-sections themselves take on different geometries and whose surfaces are partially broken up by ground-in structures and expressive reliefs. Emphasizing the outer and inner forms in this way, dynamics and balance are united in the sculpture, creating an interplay marked by tension between symbolized infinity and explosive rebellion.<\/p>\n<p>&#8221; content_phone=&#8221;<\/p>\n<p>With the<i> Evolution <\/i>series, Behrens conceptually and sculpturally deals with the creative power of nature, formulating questions about its limitations and finitude. %22We emerge from nature and we end up in it. I make myself aware of this cycle,%22 Behrens says. He seems to be taking his previous formal language down a new path, a consequence of years of sculptural activity. The outer forms are based on stylized rings whose cross-sections themselves take on different geometries and whose surfaces are partially broken up by ground-in structures and expressive reliefs. Emphasizing the outer and inner forms in this way, dynamics and balance are united in the sculpture, creating an interplay marked by tension between symbolized infinity and explosive rebellion.<\/p>\n<p>&#8221; content_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; text_font=&#8221;Georgia||||||||&#8221; text_text_color=&#8221;#d6d6d6&#8243; text_font_size=&#8221;20px&#8221; text_line_height=&#8221;1.8em&#8221; quote_font=&#8221;Georgia|||||on|||&#8221; quote_text_color=&#8221;#242424&#8243; background_layout=&#8221;dark&#8221; width=&#8221;80%&#8221; width_tablet=&#8221;100%&#8221; width_phone=&#8221;100%&#8221; width_last_edited=&#8221;on|tablet&#8221; module_alignment=&#8221;center&#8221; custom_margin_tablet=&#8221;&#8221; custom_margin_phone=&#8221;&#8221; custom_margin_last_edited=&#8221;on|tablet&#8221; custom_padding=&#8221;0px|0px|0px|0px|false|false&#8221; text_font_size_tablet=&#8221;&#8221; text_font_size_phone=&#8221;16px&#8221; text_font_size_last_edited=&#8221;on|tablet&#8221; content__hover_enabled=&#8221;on|desktop&#8221;]<\/p>\n<p>With the<i> Evolution <\/i>series, Behrens conceptually and sculpturally deals with the creative power of nature, formulating questions about its limitations and finitude. &#8220;We emerge from nature and we end up in it. I make myself aware of this cycle,&#8221; Behrens says. He seems to be taking his previous formal language down a new path, a consequence of years of sculptural activity. The outer forms are based on stylized rings whose cross-sections themselves take on different geometries and whose surfaces are partially broken up by ground-in structures and expressive reliefs. Emphasizing the outer and inner forms in this way, dynamics and balance are united in the sculpture, creating an interplay marked by tension between symbolized infinity and explosive rebellion.<\/p>\n<p>[\/et_pb_text][et_pb_button button_url=&#8221;https:\/\/www.michael-behrens.com\/inquire-2\/&#8221; url_new_window=&#8221;on&#8221; button_text=&#8221;Artwork Inquiries&#8221; button_alignment=&#8221;left&#8221; _builder_version=&#8221;4.5.3&#8243; _module_preset=&#8221;default&#8221; custom_button=&#8221;on&#8221; button_text_size=&#8221;12px&#8221; button_text_color=&#8221;#e02b20&#8243; button_bg_color=&#8221;rgba(0,0,0,0)&#8221; button_border_width=&#8221;1px&#8221; button_border_color=&#8221;#e02b20&#8243; button_border_radius=&#8221;0px&#8221; button_font=&#8221;Verdana||||||||&#8221; button_icon=&#8221;%%20%%&#8221; button_icon_color=&#8221;#e02b20&#8243; custom_margin=&#8221;|||128px|false|false&#8221; custom_margin_tablet=&#8221;|||60px|false|false&#8221; custom_margin_phone=&#8221;|||40px|false|false&#8221; 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